
The young blues firebrand's
most varied album. "One of the brightest young stars on the
blues horizon...a gifted artist"--LIVING BLUES
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| WALKIN'
ON FIRE |
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KENNY NEAL
Electric and Acoustic Guitar,
Harmonica and Vocals
ERNIE LANCASTER
Guitar
LUCKY PETERSON
Keyboards
with
Silent Partners:
RUSSELL JACKSON, Bass Guitar
TONY COLEMAN, Drums
BOB GREENLEE, Bass Guitar and Baritone Sax
JIM PAYNE, Drums
and
The Horny Horns:
FRED WESLEY, Trombone
MACEO PARKER, Alto Sax
with
BILL SAMUEL, Tenor Sax
BRUCE STAELENS, Trumpet
DANNY "BONEY" FIELDS, Trumpet
LEROY COOPER, Baritone Sax
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Produced by Bob Greenlee and Kenny Neal
Recorded at King Snake Studios, Sanford, Florida
Engineered by Andrew McIntire and Bryan Bassett
Mixed at Streeterville Studios by David Axelbaum
Mastered by Tom Coyne at DMS, New York, NY
Cover photos and design by Peter Amft
Recorded at Alligator
Records
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TRACKS
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1
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Look
But Don't Touch (Neal,
Greenlee & Lancaster, Booga Music/Midnight Creeper Music, BMI) |
(3:21) |
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2
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The
Truth Hurts (Neal,
Greenlee, Payne & Lancaster, Booga Music, Midnight Creeper Music,
Booga Dooga Music, BMI) |
(4:28) |
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3
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I
Put My Trust In You (Neal, Booga Music, BMI) |
(4:31) |
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4
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Blues
Stew (Neal, Greenlee & Payne, Booga Music/Midnight
Creeper Music/Booga Dooga Music, BMI) |
(3:33) |
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5
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Morning
After (Hughes & Neal, Eyeball Music/Booga
Music, BMI) |
(3:05) |
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6
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I.O.U.
(Bassett & Dees, Midnight Creeper Music, BMI) |
(3:30) |
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7
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My
Only Good Thing (Neal, Greenlee & Payne, Booga
Music/Midnight Creeper Music/Booga Dooga Music, BMI) |
(4:15) |
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8
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I
Been Missing You, Too
(Neal & Greenlee, Booga Music/Midnight Creeper Music,
BMI) |
(3:54) |
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9
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Caught
In The Jaws Of A Vise (Neal & Greenlee, Booga
Music/Midnight Creeper Music, BMI) |
(3:46) |
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10
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Things
Got To Get Better (Neal
& Greenlee, Booga Music/Midnight Creeper Music, BMI) |
(5:49) |
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11
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Walking
On Fire (Neal, Greenlee & Payne, Booga Music/Midnight
Creeper Music/Booga Dooga Music, BMI) |
(2:44) |
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12
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Bad
Luck Card (Hughes & Neal, Eyeball Music/Booga
Music, BMI) |
(2:00) |
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ORIGINAL LINER NOTES
Since the release of his debut album, Big News From Baton
Rouge!!, in 1988, Kenny Neal has gone from being a word-of-mouth
Deep South cult figure to becoming one of the most popular young
bluesmen in the country. He's toured all over the U.S. and Canada,
playing most of the major blues festivals: The Chicago Blues Festival;
The King Biscuit Festival; The Motor City Blues Festival; The Beale
Street Festival; The River Walk Festival, and for four years in
a row, The New Orleans Jazz & Heritage Festival. Plus, he's
played literally hundreds of club dates including a two-month 1990
tour with Lucky Peterson and Silent Partners. He's already toured
Europe twice, appearing on German network TV and headlining The
Amsterdam Blues Festival.
Now, Kenny has taken a giant step forward
for his career and for the blues. In February of 1991, Kenny opened
as the star of a Broadway musical play, "Mule Bone," a "lost"
play written by the famed African-American poet Langston Hughes
and folklorist Zora Neale Hurston in 1930 and rediscovered a few
years ago. The music for "Mule Bone" was written by blues legend
Taj Mahal. As a tribute to Hughes, Kenny has set two Hughes poems
to music for Walking On Fire. On these songs,
Kenny played both harmonica and acoustic guitar. For the remainder
of the album, Kenny was joined by some of the finest players in
the blues and R&B realm. He's accompanied on most of the tunes
by the famed rhythm team, Silent Partners. The horns are played
by the legendary veterans of the James Brown Orchestra, the Horny
Horns: Fred Wesley on trombone and Maceo Parkeron alto sax. Fred
and Maceo are joined by members of the King Snake Horns and Kenny's
touring horn player, Danny Fields. As on Kenny's previous albums,
all the keyboards are played by Kenny's label mate, the amazing
Lucky Peterson.
Ever since his childhood, when Kenny
began learning the blues from his father, the Baton Rouge bluesman
Raful Neal, and through his years of studying under Slim Harpo,
Lazy Lester and Buddy Guy, Kenny has been destined to be one of
the major bluesmen of his generation. With years on the road,
a Broadway play, and now the third album of his career, Kenny
Neal is on his way to fulfilling his destiny.-- Bruce Iglauer
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